These wearable sculptures were made with crochet, embroidery, knitting and beading techniques to create amorphous, unidentifiable bodies. They obstruct vision and enhance tactility, compelling performers to engage with their surroundings through alternative sensory modes. In doing so, they are invited to rely on play and improvisation to navigate space. Rather than thinking/rational beings, they become playing beings—Homx Ludens. Their movements, in relation to the site and the reactions of passersby, generate a surreal image that unfolds in real time. This encounter reveals how perception, embodiment, and public space are continuously reshaped through shifting interactions. The masks have been worn by different individuals, giving rise to diverse embodiments of the same forms.

By introducing surreal elements into everyday settings, these performances examine how the presence of difference reconfigures space. Ultimately, they challenge the notion of the public sphere as a shared space by all, questioning which bodies and actions are permitted visibility, legitimacy, or inclusion within it.